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The philosopher Slavoj Žižek on why ‘Melancholia&#39; by Lars von Trier is actually an optimistic movie.
&#39;Lars von Trier&#39;s Melancholia, I think, it&#39;s a basically, I&#39;m not kidding, optimistic film, even as we know at the end the planet Melancholia hits the earth, we all die.  But I find something beautifully poetical in the attitude of the main person, Justine, played by Kirsten Dunst, no, this inner peace, how she accepts this.  
I claim that we should not read this as kind of a pessimism. &quot;Oh, we all die.  Who cares?&quot;  No, if you really want to do something good for society, if you want to avoid all totalitarian threats and so on, you basically should go . . . we should all go to this, let me call it--although I&#39;m a total materialist--fundamentally spiritual experience of accepting that at some day everything will finish, that at any point the end may be near.  I think that, quite on the contrary of what may appear, this can be a deep experience which pushes you to strengthen ethical activity.
The result of this experience is not, &quot;Oh, the end may be near, so let&#39;s kill, let&#39;s just enjoy,&quot; and so on.  No, it&#39;s the opposite. Again, paradoxically, I claim it&#39;s not a superficially but profoundly optimistic film.&#39;